The Star-Treader and Other Poems
Clark Ashton Smith
Lu par LibriVox Volunteers
The Star-Treader and Other Poems marks the debut collection of Clark Ashton Smith, a pivotal figure in the realm of weird fiction and poetry. At just 19 years old, Smith showcases his romantic style and vivid imagination, drawing readers into a world where the ethereal and the bizarre intertwine.
In this collection, Smith's poetry reflects his deep appreciation for the natural world, mythology, and the cosmic. His verses evoke a sense of wonder and exploration, often delving into themes of love, loss, and the mysteries of existence. As one of the last great West Coast Romantics, Smith's work resonates with the influences of his contemporaries, including H.P. Lovecraft, while establishing his unique voice.
Each poem invites listeners to traverse landscapes both familiar and fantastical, offering a glimpse into the mind of a poet who was not only a master of language but also a visionary of the unknown. Experience the haunting beauty and imaginative depth of Smith's early work in this captivating collection.
Chapitres
Select a chapter to play
| Nero | 6:09 | Lu par Rosslyn Carlyle | |
| Chant to Sirius | 1:46 | Lu par Ken Masters | |
| The Star-Treader | 7:27 | Lu par MaryAnn | |
| The Night Forest | 2:29 | Lu par Ken Masters | |
| The Mad Wind / The Morning Pool / The Soul of the Sea | 2:57 | Lu par Ken Masters | |
| Song to Oblivion | 1:22 | Lu par Ken Masters | |
| Medusa | 3:29 | Lu par Ken Masters | |
| Ode to the Abyss | 4:06 | Lu par James Koss | |
| The Butterfly | 4:48 | Lu par Rosslyn Carlyle | |
| The Price / The Maze of Sleep / The Mystic Meaning | 1:45 | Lu par Rosslyn Carlyle | |
| Ode to Music | 4:07 | Lu par Jairus Amar | |
| The Last Night | 1:10 | Lu par Jairus Amar | |
| Ode to Imagination | 3:40 | Lu par Jairus Amar | |
| The Wind and the Moon | 1:40 | Lu par Jennifer Dallman | |
| Lament of the Stars | 6:46 | Lu par Shakira Searle | |
| The Winds | 2:03 | Lu par Shakira Searle | |
| A Sunset / The Snow-Blossoms / The Summer Moon | 1:50 | Lu par Rosslyn Carlyle | |
| The Cloud-Islands | 1:41 | Lu par Rosslyn Carlyle | |
| The Return of Hyperion | 1:42 | Lu par Rosslyn Carlyle | |
| Lethe | 1:13 | Lu par Rosslyn Carlyle | |
| Atlantis | 1:12 | Lu par Rosslyn Carlyle | |
| The Unrevealed | 1:10 | Lu par Rosslyn Carlyle | |
| The Eldritch Dark | 1:39 | Lu par Shakira Searle | |
| The Cherry-Snows / Fairy Lanterns | 1:10 | Lu par Jennifer Dallman | |
| Nirvana | 1:14 | Lu par Rosslyn Carlyle | |
| The Nemesis of Suns | 1:19 | Lu par Rosslyn Carlyle | |
| White Death | 1:09 | Lu par drsxj | |
| Retrospect and Forecast | 1:15 | Lu par drsxj | |
| Shadow of Nightmare | 1:12 | Lu par drsxj | |
| The Song of a Comet | 3:16 | Lu par Rosslyn Carlyle | |
| The Retribution | 1:15 | Lu par Rosslyn Carlyle | |
| To the Darkness | 2:44 | Lu par Jordan Heron | |
| A Dream of Beauty | 1:12 | Lu par Rosslyn Carlyle | |
| The Dream-Bridge / The Fugitives | 1:20 | Lu par Rosslyn Carlyle | |
| A Live Oak-Leaf / Pine Needles | 1:11 | Lu par Jennifer Dallman | |
| To the Sun | 2:38 | Lu par Rosslyn Carlyle | |
| Averted Malefice | 1:14 | Lu par Rosslyn Carlyle | |
| The Medusa of the Skies | 1:17 | Lu par Rosslyn Carlyle | |
| A Dead City | 1:11 | Lu par Rosslyn Carlyle | |
| The Song of the Stars | 4:46 | Lu par Shakira Searle | |
| Copan | 1:12 | Lu par Rosslyn Carlyle | |
| A Song of Dreams | 2:45 | Lu par Rosslyn Carlyle | |
| The Balance | 1:12 | Lu par Rosslyn Carlyle | |
| Saturn | 17:17 | Lu par Rosslyn Carlyle | |
| Finis | 2:37 | Lu par Shakira Searle | |
| The Masque of the Forsaken Gods | 9:16 | Lu par LibriVox Volunteers |
Critiques
A LibriVox Listener
dreadful readers. no poetry. terrible accents.
A LibriVox Listener
Most CAS fans read his poetry as a supplement of his great short stories written mostly a decade after his poetry flourished--and many prefer Ebony and Crystal to this poetry collection. His poetry and even his prose is deeply incluenced by the romantics, the decadents, and the fin de siecle aesthetes much more than the midernists. As a result, critics often pan his work, his word choice, and his themes in his poetry and prose. (The writer of the intro to a Bison collection of his tales told readers why CAS was a bad writer--way to prepare a reader) But readers who appreciate the skilled use of tradutional meter and believe poetry should embrace the fantastic and macabre fir their own sake have tended to ignore the critics. CAS later made a living as a sculptor specializing in the fantastic and macabre